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In her home on Skull Mountain, elderly Pauline Christophe receives last rites as her butler, Thomas and his wife Louette, stand by.
Pauline gives the priest four letters, instructing him to send them without allowing anyone to read them. She then pulls out a box filled with voodoo dolls and dies.
Two days later, Lorena, one of Pauline's great-grandchildren, is driving up the hill to Skull Mountain. Phillipe, another great-grandchild, speeds by and nearly forces her off the road.
As Phillipe continues on, a skull appears and disappears in front of his car, nearly causing him to crash off the cliff. Arriving at the house after the funeral, Lorena meets with the priest while Louette stands by the gravediggers readying to bury Pauline.
Louette sees a raven drop a string of beads tied at the end with feathers, the voodoo symbol for death, onto the coffin in the ground.
The beads start to bleed and then burst into flame, burning through the coffin and causing thick smoke to fill the air.
Louette hurriedly tells the gravediggers to bury the coffin. When she fearfully tells Thomas what happened, he dismisses it as imagination. Lorena finds out that Pauline has died and entitled her as part of the will.
Upon entering the house, Lorena sees Phillipe and confronts him about almost running her off the road, but when she realizes he is her cousin, she befriends him.
While being taken to their rooms, Phillipe discovers Pauline's old elevator, finding that it doesn't work. While flying to the estate, Harriet Johnson, another relative, sees a hooded, robed figure on the plane staring at her.
She screams only to have it disappear while the other passengers give her odd looks. She arrives at the house at night during a storm and is introduced to the others.
The reader of the will arrives, but cannot proceed as a fourth relative has still not arrived. He leaves, saying that he cannot return for another week.
The three relatives ask Thomas why they're the only ones of the family invited. He explains that Pauline wanted them to come as she had never met any of the four.
He then begins to explain the reason for voodoo-related material around the house. They are interrupted by the arrival of a white, drenched man: They introduce themselves, and Phillipe begins to call him out for being the only white relative.
After dinner, Philippe explores the house and is startled by Thomas. Philippe scoffs at Thomas' belief in voodoo and picks up a feathered bead, throwing it in Thomas' face, then leaves to get drunk.
While Lorena is in her room, she sees a skull in the mirror, the windows spring open and a robed skeleton appears. She flees, running into a drunken Philippe in the hallway.
He tries to kiss her but is chased away by Andrew who comes to Lorena's rescue. As Philippe stumbles downstairs, he sees the elevator door open and is led by a vision of Lorena toward it.
As Thomas performs a ritual with a voodoo doll and when he plunges a needle into it, Philippe walks into the empty elevator shaft and plunges to his death.
Drawn by his screams, Andrew goes down the shaft and finds Philippe's body along with the feathered beads. The sheriff is called and takes the body away, telling the others they cannot leave town until after an autopsy is performed to see if alcohol was the factor or not.
The next morning, while Lorena and Andrew are in town, Harriet finds a strange plant in the dining room, discovering a rattlesnake inside which then disappears.
Unnerved, she heads back toward her room, only to see the lock on Pauline's door fall off. She enters Pauline's room, discovering a voodoo shrine.
A rocking chair begins to move and when she investigates, she is bitten by a rattlesnake. Andrew and Lorena return to find her unconscious and begin to rush her to the hospital.
Thomas begins another ritual with a voodoo doll. In the car, Harriet awakens to see the same hooded figure she saw on the plane.
She screams, dying when Thomas stabs the needle into the doll. When Andrew arrives at the hospital, he finds a feathered bead on Harriet's body.
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This here was quite the enjoyable Blaxploitation offering. One of the more enjoyable elements featured here is the fact that the Blaxploitation angle makes for an incredibly fun and enjoyable introduction to the voodoo at play.
That's a big part of this one, coming off almost immediately with the opening shots of the tribal ceremony featuring all the dancers in the middle of their ritual while they prepare all the different trinkets and artifacts that start this one off on a great note.
The later scenes throughout the house where we get the flashes of the ghostly ancestor raised and warding off the remaining parts of the family offer up some really thrilling moments here as the frequency and unexpectedness of them work and given the inserts showing the the practitioner engaging the ceremonial practices in his room where he has the paraphernalia laid out as he sets about his rituals which offer some fun, cheesy thrills here.
It manages to really explore the idea of voodooism quite nicely in really letting the supernatural take-over here, from the need for keeping the objects of power and control around to the matter of the controlled bodies engaging in dangerous activities through the voodoo spell and it really gives this one the kind of building blocks to get a lot of great atmosphere during here which carries over nicely into the finale which features some fantastic voodoo-based action here.
Going from the discovery of the ceremonial chamber beneath the house where the dancers are in the middle of their rituals with the entire room lit up using black candles before the fine brawl and leading up into the atmospheric confrontation in the finale, it's got so much to like here.
There wasn't much of anything wrong with this one. The main issue here is the fact that the main backstory is given a really large portion of the film which is a little weird to have.
The fact that it consists of a long portion of the film is what really hurts it, since it would've been far easier had this done the simple thing and just clumped them all together in one segment without having to jump around with having so many parts in different places as it wasn't that hard to figure out anyway and didn't need the trickery into thinking it was harder to figure out than it really was.
The last part here is the scene near the end where they go out on the town. Since it's so close to the end, everything has been figured out and the horror should begin to grow in intensity, as it's after the voodoo ceremony scene, yet this one doesn't do that and it's really hard to understand why it's even there in the first place, serving no purpose for the story and coming across as filler.
Beyond these two problems, it's not that bad. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!
Keep track of everything you watch; tell your friends. Full Cast and Crew. Murders occur at the southern estate of a voodoo priestess when four relatives gather to hear her will.
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